(Index) — Edition 2026

Lisbon — working worldwide

Still things,

set in

motion.

Kinora is an independent studio for films, campaigns and identities — made for brands that would rather be felt than seen.

(01) — Studio

We are a small studio of directors, designers and photographers. We make still things move — films, campaigns and identities with the patience of a photograph and the pulse of a film.

12

People, one long table

2014

Making things move since

140+

Films, shot and shipped

Fig. 01 — Shadow study, Alentejo

Fig. 02 — Kiln Notes, Orsk Ceramics

Fig. 03 — Weightless, Sable & Co

(02) — Selected work

Selected

work

Fourteen films, campaigns and identities from the last few years. Scroll sideways through the archive.

(03) — The index

Peri Studio, The Long Walk — still 04

Explore the full index

14 projects — 2022 to 2026

(04) — Clientele

People we keep making things with

(01) — since 2019

Lune Parfums

Fragrance

(02) — since 2021

Maison Aubry

Fashion

(03) — since 2024

Volta Automobili

Automotive

(04) — since 2020

Sable & Co

Jewellery

(05) — since 2018

Nørd Arkitekter

Architecture

(06) — since 2022

Brume Atelier

Textiles

(07) — since 2023

Halde Hotels

Hospitality

(08) — since 2017

Atlas Dance

Culture

(Now in production)

Six films, rolling

  • Second Skin

  • Quiet Motion

  • Linen Hours

  • Afterimage

  • The Long Walk

  • Weightless

  • Second Skin

  • Quiet Motion

  • Linen Hours

  • Afterimage

  • The Long Walk

  • Weightless

(05) — Approach

How a

film

begins

Four quiet steps, the same on every project — whether it is a nine-minute film or a new logotype.

01

Listen

Every project begins with a week of listening — founders, makers, customers. We leave with one sentence that describes what the work must make people feel.

01

Listen

Every project begins with a week of listening — founders, makers, customers. We leave with one sentence that describes what the work must make people feel.

02

Frame

We decide what stays out of frame. Treatments, references, one location and one light source — the constraints that make the work unmistakable.

02

Frame

We decide what stays out of frame. Treatments, references, one location and one light source — the constraints that make the work unmistakable.

03

Make

A small crew, long takes and plenty of patience. Directors, designers and photographers at one table, from the first frame to the final grade.

03

Make

A small crew, long takes and plenty of patience. Directors, designers and photographers at one table, from the first frame to the final grade.

04

Release

Cutdowns, stills, identity rules and a toolkit your team can actually use — so the work keeps moving long after we hand it over.

04

Release

Cutdowns, stills, identity rules and a toolkit your team can actually use — so the work keeps moving long after we hand it over.

(06) — In their words

01 / 03

02 / 03

03 / 03

“They filmed our perfume as if it were weather. Two years on, the campaign still feels like the brand’s first sentence.”

Clémence Aubert

Brand Director, Lune Parfums

“Kinora slowed us down in the best possible way. The work is calm, exact and impossible to mistake for anyone else’s.”

Rafael Sousa

Founder, Brume Atelier

“We asked for a launch film and got a way of seeing. Our whole team now talks about light the way they do.”

Hanne Vik

CMO, Volta Automobili

(06) — In their words

01 / 03

02 / 03

03 / 03

“They filmed our perfume as if it were weather. Two years on, the campaign still feels like the brand’s first sentence.”

Clémence Aubert

Brand Director, Lune Parfums

“Kinora slowed us down in the best possible way. The work is calm, exact and impossible to mistake for anyone else’s.”

Rafael Sousa

Founder, Brume Atelier

“We asked for a launch film and got a way of seeing. Our whole team now talks about light the way they do.”

Hanne Vik

CMO, Volta Automobili

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